Archived entries for Work

Masada or Yavneh?

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CEDAR: When you compare the rebels on Masada to the wise men in Yavneh, the rebels died as lions, and the wise men lived as dogs . But the dogs had puppies, and we are those puppies. So, there was something about blowing up Beaufort, blowing up the fortifications, blowing up the mountain, at the end of the film, that was also about blowing up a symbol of (the lion’s) power. It’s about our power to create something else that, at least for me, makes us different from our enemies.

ZEEK: It means that as Israelis, we can start over. That we have the ability to reinvent ourselves.

CEDAR: Not only that. It means that we have an identity without the geographical symbol, that we have an identity that is as powerful and as firm as concrete and fortifications, flags and pride.

To read the rest of my interview with director Joseph Cedar, check out the new issue of Zeek.

Making News

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Nearly a year to the day I left Tikkun to complete my book, I went back to work as an editor again. Not so coincidentally, the gig was online, with Allvoices, an international news and community portal. Tasked with recruiting a team of bloggers to help launch the site’s publishing platform, and responsibility for editing and managing the largest collection of international news feeds I’ve ever seen, I’ve spent the last five months adjusting to a job that’s both new and extremely familiar at the exact same time.

I’m very grateful for the opportunity. Given what a crisis publishing is in, I continue to find myself exceedingly lucky I found any work at all, let alone work in news media. The degree of relief I feel, as you might imagine, remains profound. My biggest concern in quitting my former job in such dreadful economic circumstances was that my book might be my final hurrah to fourteen years in publishing. I’m glad to say its not, though I would have continued to do this irrespective of whether I’m paid or not.

One aspect of my present gig that makes it so fulfilling is familiarizing myself with English language news resources in places I would not have otherwise gotten to know, such as central Africa and the Caribbean, discovering first class, UN-funded news organizations, or independent European agencies that are every bit as good as AP or Reuters. It’s all been enormously inspirational to discover, especially at a time when it seems as though the business is going to absolute pot.

The other aspect of my present gig that I’ve really enjoyed has been working with a crew of twenty-two regular bloggers, such as my longtime colleague and pal Mitchell Plitnick, the Belgrade-based  journalist Amy Miller, Cairo’s aBendinTheNile, and Ilana Sichel in Jerusalem, to name a few. Their writing can be every bit as good as anything I read at past gigs, if not more so. I still do a serious amount of traditional editorial work at Zeek to balance it all out, and the perspective it helps provides is something else.

The best anecdote I can impart about all of this is that my co-workers, who hail from India, Europe, and Pakistan, like to jokingly refer to me as the ‘Mossad agent.’ Though it’s not meant to be pejorative, in context, it’s still a hoot to hear. Relating this to a relative who queried me about the Arab media I’ve been having to review, giggling, he responded, ” Nu, you know, this stuff could come in useful some day.”

(De)Programming the Middle East

Deprogramming

If you live in the US and need to follow events in the Middle East closely, Mosaic is absolutely indispensable. A thirty-minute long aggregation of regional television news programming broadcast on Link TV, the show is the brainchild of award-winning producer Jamal Dajani.

A Jerusalem native, and a resident of the San Francisco Bay Area, I spoke to Dajani about his work on Mosaic for the March issue of Zeek. What transpires is a fascinating conversation about the state of Middle Eastern media today, and its increasing importance for Americans.

If you enjoy this piece, check out Covering the Coverage, and Left of the Middle East. Short excerpts from my book, they cover much of the same topical ground as my conversation with Dajani, but focus on US and otherwise progressive Western news media instead.

The Song Remains the Same

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The best stocked section (aside from the Health and Diet shelf) in San Francisco’s Green Apple Books bargain media annex.

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Perhaps the single most frequently asked question posed by my interns at Tikkun was why we continued to receive so many books about Nazism and the Holocaust to review.

Indeed, every day, new books about the Shoah would inevitably outnumber arriving titles on Israel and Judaism. “It’s one of the occupational hazards of being a Jewish magazine,” was my stock reply.

Back in the USSA

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Who better to talk to about American politics than a German periodical. Revisiting the discussion of purity in Jerusalem Calling, this interview, in the new edition of Pulse Berlin, just came out.

I haven’t spoken about such issues in years. It was a pleasure to think through them again. The renewed perspective that this side of the Bush era helps provide is really something else.

Conscientious Objections

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France24
has launched The Observers, a new, bilingual citizen journalism initiative. At the behest of staff writer Roi Ben-Yehuda, I became an Observer last week, and gave my thoughts on a new Israeli government drive to encourage teens to do their obligatory military duty.

As someone who, when they came of age in 1985, did not do their service, I explain why, as well as criticize a new state-produced video designed to prevent kids from doing the same. Check it out. The following response, by the anonymous Yael, is worth the price of admission alone.

Later on this week, Roi will be running a piece on the first Tel Aviv Sex Festival, which was held a little over a week ago. I’ll be reprising my Observer role as part of the proceedings.

Daniel Pearl as Metaphor

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The killing of Wall Street Journal reporter Daniel Pearl in 2002 was of particular importance in reinforcing this understanding of Pakistan. A Jewish-American reporter engaged in a multiethnic marriage, Pearl’s murder by Islamic militants was promoted as an iconographic instance of the clash of civilizations thesis, transposed to America’s relationship with Pakistan. The ideological tensions inherent in emphasizing Pearl as though he were the US – multicultural, liberal, interfaith – to Pakistan as uncivilized, violent, politically corrupt and religiously intolerant – ought to be clear.

Pearl represented America, and its actualization of the ideals it was promoting on the War on Terror, which Pakistan, with its tribes, its madrassas, and its fundamentalists was in conflict with. This made Pearl a martyr-equivalent to domestic neoconservatives. If Americans wanted more nuance in news coverage of the country than Pearl’s remembrance allowed, they had to seek it out from foreign news sources such as the BBC and The Guardian.

- From a report I recently wrote about south Asian news coverage in the US

Blast From the Past

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It’s finally out, and boy does it look good. Strolling through the Haight yesterday, Jennifer and I stumbled upon the brand new edition of the Punk Planet interview collection, We Owe You Nothing, at the appropriately DiY, volunteer-staffed Bound Together Books.

Featuring several new interviews conducted between 2001 and 2007, We Owe You contains six pieces I acquired for PP back in the day, including interviews with Steve Albini, Sonic Youth’s Thurston Moore, Negativland, Team Dresch’s Jody Bleyle, Outpunk’s Matt Wobensmith and Black Flag.

Toronto’s Eye Weekly reviewed the collection on the 9th, together with former Punk Planet Associate Publisher Anne Elizabeth Moore‘s excellent Unmarketable. Putting Anne’s book in the mix not only was smart. It also explains why PP remains essential to understanding the zeitgeist.

An Editor’s Whiteboard

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The golden road to unlimited content. Beit Schalit, 2008.

Dubbing with de Gaulle

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The cover of a January 1969 edition of the French weekly news periodical L’Express, featuring the face of former President Charles de Gaulle set inside a Star of David. Surrounded by an English translation of a letter de Gaulle wrote to David Ben Gurion in 1967, it’s figured prominently in revisions to my book, whose 2nd draft I’m furiously working on finishing right now with my editor.

A scanned page from European Union official Francois Massoulie‘s idiosyncratic volume, Middle East Conflicts, the image is bordered on either side by the end of one of my own book’s chapters, an open Real Audio browser loaded with a BBC page, and my most recent playlist, featuring the brilliant Sledgehammer Dub LP by the consistently overlooked roots producer, Niney the Observer.



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