Archived entries for Publishing

Product Placement

SchalitReviews

I’ll be the first to admit that I’ve done a mediocre job of keeping track of my clips. Though I’ve kept copies of nearly all of the magazine articles I’ve written, most of the book reviews and all of the travel pieces I wrote for the San Francisco Bay Guardian between 2000 and 2004 vaporized when SFBG revamped it’s website.

In the midst of putting the finishing touches on a brand new personal site (including a Word Press replacement for this blog) I came across a PDF version of this collection of micro-reviews, Sikkum: Tikkun Recommends, that I wrote for the September/October edition in 2005.

Traditionally the domain of the magazine’s publisher, I ended up writing most of these interior back page book reviews my last year and a half as Tikkun’s managing editor. I’ll be posting a couple of more of these, including the color version we debuted with the magazine’s re-design in 2006, shortly.

Click on the image for greater detail.

London Calling

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On July 1st, I stepped down from my editorial position at Allvoices. With two months to pack up our home and move to the United Kingdom, I couldn’t have had a better reason to punch out. I’ll be spending the next eight weeks at home writing and editing a couple of terrific books while we get everything ready. To make the transition back to book editing, after being immersed in the world of blogs and online periodicals is interesting to note, (as a format exercise), given the direction that this kind of work now moves.

Leaving my office in San Francisco’s financial district (pictured above) for the very last time, I couldn’t resist capturing the signage of the cylinder shaped newsstand that sits at the building’s front entrance. Housing not only my ex-employer, but also a Reuters office, and the headquarters of the local Jewish weekly, The J, my former firm’s new abode hosts an above average number of news publishers for such a small, albeit significant, American city.

Mother Jones Entrance

Just before I left, however, I received a call from the very first periodical I ever worked for, in between my freshman and sophomore years of high school, in 1982. Serving as a summer intern for the legendary Mother Jones (whose building, pictured above, is three blocks west of my former office) has earned me a semi-annual email or phone call from what sounds like another MoJo intern, keeping tabs on alumni. “You’re a writer, right?” asked the young man who called me. “Yes,” I told him. “And an editor, too.”

Why I Love Italy

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At least a third of my time at Allvoices has been spent writing summaries of developing news stories. Over the course of the last 6 months, I completed over 130 such pieces.

I wrote Italy to Fingerprint Gypsy Population last Thursday afternoon. It’s a good example of how I write these kinds of analyses when I feel as though I have a little more room than usual to editorialize.

Making News

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Nearly a year to the day I left Tikkun to complete my book, I went back to work as an editor again. Not so coincidentally, the gig was online, with Allvoices, an international news and community portal. Tasked with recruiting a team of bloggers to help launch the site’s publishing platform, and responsibility for editing and managing the largest collection of international news feeds I’ve ever seen, I’ve spent the last five months adjusting to a job that’s both new and extremely familiar at the exact same time.

I’m very grateful for the opportunity. Given what a crisis publishing is in, I continue to find myself exceedingly lucky I found any work at all, let alone work in news media. The degree of relief I feel, as you might imagine, remains profound. My biggest concern in quitting my former job in such dreadful economic circumstances was that my book might be my final hurrah to fourteen years in publishing. I’m glad to say its not, though I would have continued to do this irrespective of whether I’m paid or not.

One aspect of my present gig that makes it so fulfilling is familiarizing myself with English language news resources in places I would not have otherwise gotten to know, such as central Africa and the Caribbean, discovering first class, UN-funded news organizations, or independent European agencies that are every bit as good as AP or Reuters. It’s all been enormously inspirational to discover, especially at a time when it seems as though the business is going to absolute pot.

The other aspect of my present gig that I’ve really enjoyed has been working with a crew of twenty-two regular bloggers, such as my longtime colleague and pal Mitchell Plitnick, the Belgrade-based  journalist Amy Miller, Cairo’s aBendinTheNile, and Ilana Sichel in Jerusalem, to name a few. Their writing can be every bit as good as anything I read at past gigs, if not more so. I still do a serious amount of traditional editorial work at Zeek to balance it all out, and the perspective it helps provides is something else.

The best anecdote I can impart about all of this is that my co-workers, who hail from India, Europe, and Pakistan, like to jokingly refer to me as the ‘Mossad agent.’ Though it’s not meant to be pejorative, in context, it’s still a hoot to hear. Relating this to a relative who queried me about the Arab media I’ve been having to review, giggling, he responded, ” Nu, you know, this stuff could come in useful some day.”

(De)Programming the Middle East

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If you live in the US and need to follow events in the Middle East closely, Mosaic is absolutely indispensable. A thirty-minute long aggregation of regional television news programming broadcast on Link TV, the show is the brainchild of award-winning producer Jamal Dajani.

A Jerusalem native, and a resident of the San Francisco Bay Area, I spoke to Dajani about his work on Mosaic for the March issue of Zeek. What transpires is a fascinating conversation about the state of Middle Eastern media today, and its increasing importance for Americans.

If you enjoy this piece, check out Covering the Coverage, and Left of the Middle East. Short excerpts from my book, they cover much of the same topical ground as my conversation with Dajani, but focus on US and otherwise progressive Western news media instead.

The Song Remains the Same

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The best stocked section (aside from the Health and Diet shelf) in San Francisco’s Green Apple Books bargain media annex.

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Perhaps the single most frequently asked question posed by my interns at Tikkun was why we continued to receive so many books about Nazism and the Holocaust to review.

Indeed, every day, new books about the Shoah would inevitably outnumber arriving titles on Israel and Judaism. “It’s one of the occupational hazards of being a Jewish magazine,” was my stock reply.

Blast From the Past

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It’s finally out, and boy does it look good. Strolling through the Haight yesterday, Jennifer and I stumbled upon the brand new edition of the Punk Planet interview collection, We Owe You Nothing, at the appropriately DiY, volunteer-staffed Bound Together Books.

Featuring several new interviews conducted between 2001 and 2007, We Owe You contains six pieces I acquired for PP back in the day, including interviews with Steve Albini, Sonic Youth’s Thurston Moore, Negativland, Team Dresch’s Jody Bleyle, Outpunk’s Matt Wobensmith and Black Flag.

Toronto’s Eye Weekly reviewed the collection on the 9th, together with former Punk Planet Associate Publisher Anne Elizabeth Moore‘s excellent Unmarketable. Putting Anne’s book in the mix not only was smart. It also explains why PP remains essential to understanding the zeitgeist.

An Editor’s Whiteboard

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The golden road to unlimited content. Beit Schalit, 2008.

Year End Top Ten: Books

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Despite the fact that this was a book writing year, I still managed to pack in a few titles that were distinctly off-topic. For regular MashDown readers, of course, that means, unsurprisingly, I read a lot about politics, music and the visual arts, though not necessarily of the gallery kind.

This was also the first time in almost a decade that I was able to read for pleasure, and not for the purpose of assigning books for review. That, in itself, was a welcome change. Instead of scanning a chapter or two and then sending them off, I was able to take in new books in their entirety.

In no specific order, here are the ten tomes that made the biggest impression on me in 2007:

Eyal Weizman, Hollow Land (Verso)

Gil Hochberg, In Spite of Partition (Princeton)

Jacqueline Rose, The Last Resistance (Verso)

Sari Nusseibeh, Once Upon a Country (FSG)

Judith Butler & Gayatri Spivak, Who Sings the Nation State? (Seagull)

Michael Chabon, The Yiddish Policeman’s Union (Harper Collins)

Michael Veal, Dub: Soundscapes and Shattered Songs in Jamaican Reggae (U. New England Press)

Jeff Chang, Total Chaos: The Art And Aesthetics of Hip-Hop (Basic Civitas)

Abby Banks and Thurston Moore, Punk House: Interiors in Anarchy (Harry N. Abrams)

Jennifer Baumgardner, Look Both Ways (FSG)

Liberation Theology

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It’s just about out, and the first reviews for Righteous Indignation: A Jewish Call for Justice, are starting to filter through.

Edited by my former Tikkun colleagues Jo Ellen Green Kaiser and Or Rose, and the Kavod House’s Margie Klein, this inspired collection, documenting the new American Jewish social justice movement, is already receiving the recognition that it deserves. According to this week’s edition of Publisher’s Weekly,

While written for progressive Jews and their communities, anyone
struggling with the age-old conundrum of "…but what can I do?" should
sample this wonderful buffet of ideas, replete not just with tradition,
but with innovative interpretations suited to a 21st-century approach
toward social action and reform.

A slimmed down version of "Everything Falls Apart", the first chapter from my forthcoming book, Israel vs Utopia, has a home in Righteous Indignation‘s Israel section. A representative excerpt, The New Jewish Left, was posted to Mashdown last July.



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