Mixed Media
Along the same lines, I wrote a series of reflections on Etgar Keret and Shira Geffen's 2007 film Jellyfish, which appeared in Zeek today. Nonsensically titled Netanya Fish Fry, the piece addresses recent American attempts to come to grips with contemporary Israeli cinema, and a tendency I detect to try and de-politicize it. Contending that recent narrative experimentation in Israeli filmmaking is in fact it's own political gesture, the article is about Diaspora anxieties about Israel, displaced onto film criticism.
